Dateline St. John
Or is it Saint John? My sources tell me both are correct. Either way, it's not Newfoundland. Here's the way to remember: Each place has only one S. Since New Brunswick already has an S in it, the city is St. John without the S. There's no S in Newfoundland, so the city gets the S, i.e. St. John's.
Or else you could just have paid attention in Geography 11.
Anyway, here I am, four hours ahead of myself. The flights here were great. I'm not the best of fliers, but maybe I'm getting better. We (the family and I) were surprised by seeing comedian Harry Doupe in the St. John airport. He was there to pick up his nephew but kindly offered us a ride into town.
After getting settled in, I wandered out into the night. Actually, I was headed to the Hilton, the official hotel of the festival, when I heard someone doing standup. They were piping the audio from inside out onto the street. Gotta like that. It was my only clue there was a show there. Well, that and Harry told me about it on our ride.
Cougar's Lounge was the name of the dive. I arrived while the last of the four comics in the Funniest Person in New Brunswick contest was on. His name was Neal. Or Neil. Didn't catch his last name, but if he's any indication of the quality of comedy in this province, it's pretty good. His timing was excellent and he had some great lines. He talked about his 14-year-old daughter being diagnosed with being a bitch. But it was the set-up and the pause that sold the joke. Similarly when he talked of his cat's explosive diarrhea on Christmas Day and the huge mess it made in the house. "Oh, man, those were the worst four hours... of my wife's life." Ah, the pause that refreshes.
After his set, the three judges, who had a microphone at their table, each gave a comment on his performance. I love that idea. I wish we had that at competitions in Vancouver. I should also say that if we did, I'd never judge again, but still, I love the idea.
Following Neal/Neil were two guest spots. The first was by multiple Canadian Comedy Award winner Ron Sparks, whose voice reminded me of a combination of A.J. McKenzie and Sean Proudlove. And he had Sean's habit of holding the mic too far from his mouth so it was kind of hard to hear him. One of his lines I either heard from him or someone in Vancouver before. When you see so much comedy, it sometimes all bleeds together and you can't remember who said what. It was the bit about stealing a bunch of prescription forms from his doctor, then making scribbles on it, taking it to the pharmacist and seeing what he gets back.
The second guest spot went to my chauffeur, Doupe. I hadn't seen Harry perform since the late 1980s in Saskatoon. Prior to that, I saw him all the time in the early 1980s at Punchlines, where he was a fixture. I still remember his John McEnroe routine to this day. No McEnroe jokes this time around, but he was really good.
Then it was time for the announcement of the winner. And it was... not Neal/Neil. Not knowing I'd be at a show, I didn't have a pen or paper on me and my memory is atrocious. So I can't remember. But I'll find out and let you know. He's doing another show. Interestingly, the judges gave him pointers, suggesting he end his routine at a certain spot. I'm looking forward to seeing him tonight, I think it is.
That's it. Two shows tonight. I'll try to get to both of them. Thankfully at this festival, there are no overlapping shows.
Showing posts with label A.J. McKenzie. Show all posts
Showing posts with label A.J. McKenzie. Show all posts
Thursday, October 1, 2009
Wednesday, April 8, 2009
Bee's Knees Comedy Arrangement video
Monday night is my basketball night. For another few weeks, anyway. So I missed most of the big opening night of the Bee's Knees Comedy Arrangement at the Cellar jazz club. I got there as headliner Jamie Hutchinson hit the stage. There was a decent-sized crowd and the room, as I keep telling you, is really great. And Jamie was en fuego. Made me wish I had been there all night.
But now, through the magic of video, it's like I was. Each week on their website, they're going to show excerpts from the previous week. I love this idea. Hopefully, though, it won't keep people away, figuring they can just watch on-line. I'm sure the idea is to whet their comedic appetites, if you will, so they'll make it down to Broadway and Alma one Monday night. To that end, maybe they need to give smaller tastes of the acts, and edit them all together for some one-stop viewing. But I'm glad I was able to catch most of what I missed. Here are the first two on their page, all really funny.
City-TV superstar Charlie Demers:
Kelly "In my day" Dixon:
To watch all the other acts (minus Hutchinson, for some reason, and Dave Shumka for another reason), check out their video page. You'll see A.J. McKenzie, Paul Breau, musical act Janet Panic, Barry Greenfeld, and host Tim Rykert.
But now, through the magic of video, it's like I was. Each week on their website, they're going to show excerpts from the previous week. I love this idea. Hopefully, though, it won't keep people away, figuring they can just watch on-line. I'm sure the idea is to whet their comedic appetites, if you will, so they'll make it down to Broadway and Alma one Monday night. To that end, maybe they need to give smaller tastes of the acts, and edit them all together for some one-stop viewing. But I'm glad I was able to catch most of what I missed. Here are the first two on their page, all really funny.
City-TV superstar Charlie Demers:
Kelly "In my day" Dixon:
To watch all the other acts (minus Hutchinson, for some reason, and Dave Shumka for another reason), check out their video page. You'll see A.J. McKenzie, Paul Breau, musical act Janet Panic, Barry Greenfeld, and host Tim Rykert.
Wednesday, February 11, 2009
Sitting in judgment
Comedy competition season is upon us. Yuk Yuk's is in the midst of their yearly showdown. Every Tuesday in February ten or so comics take to the stage to perform six minutes of their best material in the hopes of winning $3000 and a trip to Toronto to compete at nationals (or whatever they call it) for the chance to take home $25,000. Last year, Vancouver's own Graham Clark was the big winner. More on him later.
I was one of four judges last night. I don't enjoy judging. It's so arbitrary, so hard to compare one comic against the other. I've done lots over the years and only do them because I'm asked. I'd much rather just watch. Competitions are artificial. It's like figure skating. When everyone's doing something different, how do you compare? You should just enjoy each one for its artistry without assigning a grade to it. But everyone loves a competition.
Who make the best judges? I don't have an answer to that. Should it be someone like me, who sees a lot of the comics year round and knows their act and what they're capable of? Should it be someone who hardly ever goes to comedy and comes in with a clean slate? Should it be a fellow comic? There are pros and cons to each one.
Each one of those groups has biases, so that evens out. If I have a bias towards individual comics, someone who doesn't go to a lot of live comedy will have a bias towards (or against) certain styles or ages or whatever. It's just so personal. It's ridiculous to think everyone will have the same tastes. Just take any famous comic and ask your friends. Half of them will think Robin Williams is the funniest guy on earth, and half will hate him. Some love Bill Hicks; others think he's highly over-rated.
Someone like me as a judge would be able to recognize borrowed material or overused bits because I've been going to live comedy for 29 years... What the--? My good God I'm old... On the other hand a "celebrity" or lay judge who rarely sees live comedy brings a fresh perspective and maybe represents the common audience member better.
So I think the best way to go is to have judges of various backgrounds. I think the organizers should also go for other comedy performers who don't do standup. For example, the worlds of standup and improv rarely meet. Why not bring in a veteran improv or sketch performer who's not familiar with the individual standup comics in the competition but knows funny?
Something else I'd love to see is an open scoring system like they have in the Seattle competition. The comics, and public, should see exactly who scored what. In all the competitions I've judged, I've rarely sided with the end result. Last year, one of the three winners wasn't on three of the four judges' top three. How did that happen? We don't know so we just have to trust that the organizers aren't just putting through who they want.
Some comics think they know my biases and don't like to see me at the judge's table. Fair enough. But I try to judge solely on that night's performance and no other factors. And whether I know and like them personally or not has no bearing on the score I give them. I've voted for comics I don't know or may not like all that well personally just as often as I've voted for someone I know and like as a person. It makes no difference to me.
Which brings me to Graham Clark, who also happens to be a great guy. For years I've heard from various comics that I have some sort of man-crush on Graham, like I favour him over all others. Where this comes from, I have no idea. Graham is one of the top comics in the city (and the country, as witnessed by his victory at "nationals" last year). I've only judged him in two or three competitions. The first time was at a Just For Laughs Homegrown competition at Lafflines when he was just starting out. Even though he was nervous as hell and very raw, I liked what I saw and scored him relatively high. But I didn't have him winning and, in fact, he didn't win. The next time was at a competition at the old Urban Well. He was one of the five finalists. On that particular night, I had him 5th out of five. That's no knock on him. I just felt that on that night the other four were better. But the other judges (or organizers) liked him well enough that he won the thing. And I honestly can't remember if I judged him in last year's Yuk Yuk's competition or not, but obviously I had nothing to do with his win in Toronto.
Maybe it's because I've written about him a few times. Here's the thing: I rarely if ever get to choose who I write about. I don't have a column where I get to write whatever I want. I'm either given assignments or I pitch an idea. The ultimate decision is with editors. And let's just say I've pitched way more stories than I've ever written. If there's no hook there, or editors haven't heard of the person, they're often reluctant to give up space to them.
But let's look at this dispassionately. I don't have exact records, but here's an incomplete list of locals I've written about over the years, many of them on more than one occasion:
Vancouver TheatreSports League
!nstant Theatre Company
John Beuhler
Morgan Brayton
Brent Butt
Jason Bryden
Bucket
Tom Chin
Cheech & Chong (c'mon, they were local at one time!)
Tommy Chong (see point above)
Roman Danylo
David C. Jones
Sean Devlin & Kevin Lee
Ellie Harvie
Erica Sigurdson
Giggle Dam
JP Mass
Phil Hanley
Kevin Foxx
Peter Kelamis
Irwin Barker
Ivan Decker
Jeffery Yu
Sam Easton
Billy Mitchell
Graham Clark
Nathan Clark
Bob Robertson & Linda Cullen
Ryan Stiles
Tanyalee Davis
Damonde Tschritter
Darcy Michael
If you go by sheer number of articles, Vancouver TheatreSports League wins in a landslide but I don't hear anyone saying they're my favourite.
I guess what I'm saying is this: Don't assume. Because when you assume you make a ssum out of e.
UPDATE: Come to think of it, I'm not even sure I judged the final at Urban Well. Maybe it was just in my head that I ranked the finalists. I honestly don't remember. But the point holds.
FURTHER UPDATE: Forgot to mention who came through in last night's competition. The three to advance, in the order they were announced, were A.J. McKenzie, Jeffery Yu and Ben McGinnis, all worthy of advancing, too.
I was one of four judges last night. I don't enjoy judging. It's so arbitrary, so hard to compare one comic against the other. I've done lots over the years and only do them because I'm asked. I'd much rather just watch. Competitions are artificial. It's like figure skating. When everyone's doing something different, how do you compare? You should just enjoy each one for its artistry without assigning a grade to it. But everyone loves a competition.
Who make the best judges? I don't have an answer to that. Should it be someone like me, who sees a lot of the comics year round and knows their act and what they're capable of? Should it be someone who hardly ever goes to comedy and comes in with a clean slate? Should it be a fellow comic? There are pros and cons to each one.
Each one of those groups has biases, so that evens out. If I have a bias towards individual comics, someone who doesn't go to a lot of live comedy will have a bias towards (or against) certain styles or ages or whatever. It's just so personal. It's ridiculous to think everyone will have the same tastes. Just take any famous comic and ask your friends. Half of them will think Robin Williams is the funniest guy on earth, and half will hate him. Some love Bill Hicks; others think he's highly over-rated.
Someone like me as a judge would be able to recognize borrowed material or overused bits because I've been going to live comedy for 29 years... What the--? My good God I'm old... On the other hand a "celebrity" or lay judge who rarely sees live comedy brings a fresh perspective and maybe represents the common audience member better.
So I think the best way to go is to have judges of various backgrounds. I think the organizers should also go for other comedy performers who don't do standup. For example, the worlds of standup and improv rarely meet. Why not bring in a veteran improv or sketch performer who's not familiar with the individual standup comics in the competition but knows funny?
Something else I'd love to see is an open scoring system like they have in the Seattle competition. The comics, and public, should see exactly who scored what. In all the competitions I've judged, I've rarely sided with the end result. Last year, one of the three winners wasn't on three of the four judges' top three. How did that happen? We don't know so we just have to trust that the organizers aren't just putting through who they want.
Some comics think they know my biases and don't like to see me at the judge's table. Fair enough. But I try to judge solely on that night's performance and no other factors. And whether I know and like them personally or not has no bearing on the score I give them. I've voted for comics I don't know or may not like all that well personally just as often as I've voted for someone I know and like as a person. It makes no difference to me.
Which brings me to Graham Clark, who also happens to be a great guy. For years I've heard from various comics that I have some sort of man-crush on Graham, like I favour him over all others. Where this comes from, I have no idea. Graham is one of the top comics in the city (and the country, as witnessed by his victory at "nationals" last year). I've only judged him in two or three competitions. The first time was at a Just For Laughs Homegrown competition at Lafflines when he was just starting out. Even though he was nervous as hell and very raw, I liked what I saw and scored him relatively high. But I didn't have him winning and, in fact, he didn't win. The next time was at a competition at the old Urban Well. He was one of the five finalists. On that particular night, I had him 5th out of five. That's no knock on him. I just felt that on that night the other four were better. But the other judges (or organizers) liked him well enough that he won the thing. And I honestly can't remember if I judged him in last year's Yuk Yuk's competition or not, but obviously I had nothing to do with his win in Toronto.
Maybe it's because I've written about him a few times. Here's the thing: I rarely if ever get to choose who I write about. I don't have a column where I get to write whatever I want. I'm either given assignments or I pitch an idea. The ultimate decision is with editors. And let's just say I've pitched way more stories than I've ever written. If there's no hook there, or editors haven't heard of the person, they're often reluctant to give up space to them.
But let's look at this dispassionately. I don't have exact records, but here's an incomplete list of locals I've written about over the years, many of them on more than one occasion:
Vancouver TheatreSports League
!nstant Theatre Company
John Beuhler
Morgan Brayton
Brent Butt
Jason Bryden
Bucket
Tom Chin
Cheech & Chong (c'mon, they were local at one time!)
Tommy Chong (see point above)
Roman Danylo
David C. Jones
Sean Devlin & Kevin Lee
Ellie Harvie
Erica Sigurdson
Giggle Dam
JP Mass
Phil Hanley
Kevin Foxx
Peter Kelamis
Irwin Barker
Ivan Decker
Jeffery Yu
Sam Easton
Billy Mitchell
Graham Clark
Nathan Clark
Bob Robertson & Linda Cullen
Ryan Stiles
Tanyalee Davis
Damonde Tschritter
Darcy Michael
If you go by sheer number of articles, Vancouver TheatreSports League wins in a landslide but I don't hear anyone saying they're my favourite.
I guess what I'm saying is this: Don't assume. Because when you assume you make a ssum out of e.
UPDATE: Come to think of it, I'm not even sure I judged the final at Urban Well. Maybe it was just in my head that I ranked the finalists. I honestly don't remember. But the point holds.
FURTHER UPDATE: Forgot to mention who came through in last night's competition. The three to advance, in the order they were announced, were A.J. McKenzie, Jeffery Yu and Ben McGinnis, all worthy of advancing, too.
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