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Showing posts with label Jimmy Dore. Show all posts
Showing posts with label Jimmy Dore. Show all posts

Monday, August 9, 2010

Comedy's newest whipping boy

Why the constant drama, comedy?

It seems stand-up comedy needs a whipping boy. One day it's Dane Cook, another day it's Carlos Mencia. Today (the last few weeks, anyway) it's Kyle Cease. It started with Doug Stanhope's post lambasting comedy classes in general and Cease's Stand-up Boot Camp in particular.

I have no horse in this race since I have no strong opinion on comedy classes. I tend to think you can't teach funny, but having never been to a comedy class, I don't know if that's what they're trying to do. You can't teach someone to be a good painter or jazz musician, but you can give him the tools if he has a modicum of innate talent to begin with. (And please substitute 'her' and 'she' where applicable.)

Hearing comics railing about the issue is funny. But not in a ha-ha way. It sounds, from an outsider's perspective, a bit like they want us all to know they're truly special and what they do can't possibly be taught. So don't even bother. Yes, I know, they're not really saying that, but that's part of it. They're also saying any information you can get in a class, you can get for free from your fellow comics so a class is nothing but a cash grab. So be it. But isn't any kind of class a cash grab? You can pay thousands of dollars to hear a famous screenwriter give a seminar, and lots of people do. Will any of them go on to become famous screenwriters? Maybe a tiny percentage of them, but they'd probably excel without the class, too.

People attend classes and seminars for whatever reason. Some just need a kick-start. Some use it for networking. Who knows? Who cares!

But this Boot Camp costs three thousand bucks, they scream! It's a rip-off! Hey, caveat emptor, baby. If someone's willing to pay it, it's obviously worth it to them.

Who none of the critics are slamming is Louie Anderson. I don't understand that. Why does he get a free pass? Apparently he's well respected for his years in the business even though in my opinion he has never been funny. And I can't see what 30-year advice he can give that would be relevant to today's comedy wannabes. Then again, as I say, I haven't attended the boot camp so I can't be sure.

Another free pass is given to Eddie Brill, who does these kinds of classes all over the place. Maybe the particulars are different. I did sit in on one of Eddie's classes once and it looked great. Comics would perform for each other and critique each other's act, which I think is useful. But Eddie's words of advice held more sway. Now, Eddie is a peach of a guy who everyone loves. Plus he is the gatekeeper to the Holy Grail that is the Late Show with David Letterman and comedians would no doubt be wary of biting that opportunity in the butt.

If it isn't completely obvious, let me state that I don't think Eddie Brill should be slagged for his classes, just as I don't think Kyle Cease should be. I just think comics should be consistent and honest. If it's classes they don't like, you can't pick and choose. And, not that it's relevant, but Doug Stanhope is another peach of a guy (seriously!) and one of my favourite comics on Earth.

I heard Kyle on the Comedy and Everything Else podcast. He was way more serious than he was the two times on What's So Funny? but he had a bigger point to make. He was defending himself. He found himself a pariah in the only community he's been a part of for 20 years. Still, I thought he wasn't as serious as some are saying. He made lots of jokes but in a completely dry way. I had no problem with Jimmy Dore's interviewing technique, either. Some thought he was confrontational and constantly interrupting, but I thought he was respectful and interrupted no more than he does on any other episode (which, granted, is a lot but that's part of his charm).

As I mentioned, Kyle was on our program twice. The second one is lost but one remains and you can hear it on iTunes. Or right here, if you'd rather. It's a completely different Kyle Cease than you'll hear on Comedy and Everything Else. He's animated and constantly joking. Then again, it was in 2005 and he wasn't yet the outcast he's become.


Saturday, December 19, 2009

Dec. 20: Marc Maron

When this show started, way back in 2004, there weren't any comedy podcasts. Or at least I didn't know about them. And what I don't know doesn't exist in my world. These days, cyberspace is littered with them. What's So Funny? isn't technically a comedy show. It's a show about comedy, is how I describe it.

Since I discovered podcasts, I've listened to my share of them. Some I like, some I don't. And of those I like, I find I often tire of them in relatively short order. The schtick gets old with everyone trying to one-up each other. Sometimes I sit there and wonder why I'm listening, and then they'll stumble onto something interesting/fascinating/hilarious.

With so many comedy podcasts, how do you even choose what to pick? I start by looking at the hosts and whether I'm a fan of theirs to begin with. That's a good start. Next I look at the guests, and whether I'm a fan of the guests. Then I commit. You've got to listen to the whole episode and give it your full attention. Doing something mind-numbing like a menial chore works.

Some of my favourites are Never Not Funny (with Jimmy Pardo), Comedy and Everything Else (with Jimmy Dore and Todd Glass, although I think he quit recently), Comedy Death-Ray (with Scott Aukerman), and Stop Podcasting Yourself (with Graham Clark and Dave Shumka).

I keep going back, on and off, to all of these, depending on who's on. But one keeps me coming back every single episode: WTF with Marc Maron. Despite what you probably think, WTF doesn't stand for Whiskey Tango Foxtrot. Maron is a bit of an acquired taste and he's clearly not for everyone. But for my money, this is the best show on the internet. Why? Maybe because Maron doesn't try so hard. He's a confident conversationalist, albeit a self-centred one. He's funny when he needs to be but doesn't feel the need to always go for the laugh. He's intelligent. He's forceful. He's full of neuroses and anxieties. He's got a great voice. He's raw and honest and intense. He's curious, both intellectually and psychologically. And the show gets better each time out.

It also doesn't matter who his guest is. It's usually a comic (some of my favourite episodes have been with Zach Galifianakis, Doug Stanhope, Janeane Garofalo, Eddie Brill, Jen Kirkman, and Andy Kindler) but not always. It's just as fascinating to hear him talk to a former junior high school friend who is now an astronomer, a music journalist or a musician. Each show starts off with a solo rant or rumination by Maron and usually ends with either a prepared bit. Not coincidentally, his show is one of the most popular requests on iTunes.

Maron was in town a couple weeks ago to tape an episode of The Debaters on CBC radio. I couldn't have him in the same town without trying to get him back on our little show. So I asked. No problem. He even let me use his fancy equipment instead of my rinky-dink iPod. So we sat up in his hotel room and rolled tape, the results of which will air tonight at 11 pm PST on 102.7 FM in Vancouver or via livestream here. And we'll let you know here when the episode gets posted to iTunes. Probably sometime next week.

If you heard WTF's episode 29 with Andy Kindler, you'll hear Maron talk about food waste. When you hear him on our show talking about the same thing, though, know that he said it there first. We just aired ours later. But if you stick around, we do get a scoop. Maron starts talking about his old pal Sam Kinison and tells us something he's never said in public before. I won't spoil it for you.

So tune in. And when you're done that, if you haven't already, go download some WTF episodes.

NOTE: The video bar there on the right should be clips of Maron's comedy. If you see rapsters doing their raps, try hitting the refresh button.